Archive for the 'Things I Like' Category

Things I like: Something for the Ears, Something for the Eyes, and Something for the Tatas…

Hello my lovely friends. I know it’s been a ridiculously long while since I’ve spent any quality time with you, here at the Emporium. Life is good at Casa Peeler, if a bit sweaty. The apartment may be lovely, but it’s sans air con and there’s been a heat wave in Pennsylvania, so I’ve been panting and heaving like the star of a Tijuana donkey show up here. Which star, you ask? Either! I do kinda have big ears…

On the work note, it’s going well, I think. I really adore my colleagues and am really enjoying my students. The first year at a new school is always a bitch, but I keep telling myself at least it’s not my first year teaching, ever. THAT was hell. This is merely the stuff you have to endure to get to your second year, which is ridiculously easier.

But this isn’t about my life . . . it’s about my tastes. And sharing with you some Things I Like. First of all, I’ve got some things for your ears that I think you might enjoy. It’s two bands that I absolutely adore and have become my recent running staples (besides, of course, the Dropkick Murphys). I think I’ve talked about them, before, somewhere, but I want to revisit them. Because I heart them hard.

The first band is a group of lads from West London, who absolutely leaven my bread. I think they’re all ridiculously adorable, in that befuddled, be-vested way that only an Englishman can rock and not look like a twat. I also love their music: I love the instruments, love the vocals, but I also really, really like the lyrics. Listen closely to this one, it’s one of my favorites:

And then there’s this loveliness, which makes me dance around like a pagan (at least in my mind) every time I hear it:

My next choice for your ears, is a band called Airborne Toxic Event. They’re super cerebral, in some ways, as their name implies (it’s the title of a section of DeLillo’s novel White Noise). They also have a lot of stringed instruments (I’m a sucker for a cello), and some serious dork chic aesthetics. Finally, they share a rawness and honesty of experience with Mumford and Sons that I adore. Everyone’s lived through a version of this song, at some point in their life:

And then there’s this lil beauty. So sweet, and so sexy . . .

Let’s burn ourselves up till we scream, indeed. ;-)

Besides treats for your ears, I promised you a treat for the eyes. Now, for a lot of you, you’ve probably already seen it. But some of you may have been like me and totally missed out on this show. It’s Veronica Mars. It’s on Netflix. And I’m OBSESSED:

It has a lot of rough moments, and a lot of “OMG GO TELL YOUR FATHER” moments. But for the most part, it’s charming and smart and fun. It’s also the most realistic portrayal of high school I’ve ever seen. Granted, that means it’s mostly too-clean and too-pretty, but it’s way closer. There’s real sex, and real drugs, and real drinking, and some of the seediness and delight that was high school. Obviously not for me, I was busy helping old ladies across the street and volunteering at the soup kitchen, but I heard that’s what some kids got up to, and stuff.

Finally, I have something for your tatas, ladies. I’ve been telling people about this store so much they need to make me part of their marketing department. It’s just that I’ve got big boobs. They’re not huge, but big enough that it’s a pain in the butt to buy bras. Mostly because the pretty ones never make it above a C cup. So I go to a store, and walk around saying, “Ooo, pretty . . . not in my size. Oooo, nice . . . not in my size.” And then my friend Mary Lois took me to the Intimacy in Houston. Intimacy isn’t cheap, people. The bras are pricy, some very much so, depending on the kind. But it’s the service you pay for.

At Intimacy, they whisk you off into a room where a kind, very professional lady surveys your hooters. Then she leaves you, only to return with piles of bras. All of which . . . ARE IN YOUR SIZE. So you don’t wander the store, feeling like a boob-freak. You try on bra after bra, all of which fit! it’s like magic! It’s like what women with B-cups feel like! My experience was heaven, and although I spent a lot of money on “just bras,” my back, my boobs, and my silhouette have thanked me.

Meanwhile, it’s not just for the mammary-blessed. Intimacy also has a huge selection of all sizes of bra, although they do pride themselves on specializing on hard-to-fit sizes, like the super-small, the super-large, or the super-large combined with the super-small (so big cup size on small frame, or vice versa).

Now if only they had this puppy in my size:

Danger Boobs! Danger Boobs!

All right, folks. I have a ton of work to do and the night is getting on. But I wanted y’all to know I was thinking of you, your ears, your eyes, and your tatas. Because I’m caring like that!

Any recent finds that you’d like to share of spectacular music, especially (I’m getting bored with my running mix), or anything else?

Moore’s Modern Day Love Story . . . With Added Vamp!

I heart Christopher Moore, I heart him hard. So I was stupidly excited when his publicist got in touch with me about doing a review and a contest for Moore’s latest book, Bite Me: A Love Story. I immediately said yes, although I explained that I don’t do reviews, per se. I have strong feelings about authorship and reviewing, which I won’t air here, but I absolutely don’t mind the combination of authorship and recommendations. If I really like a book, I want to gush about it, as I’m a gushy sorta person. I was also highly confident that I would enjoy Moore’s latest, as I think he’s one of the smartest people we have in the biz.

That said, I also realized Bite Me was part of a trilogy, and one that I had not yet read. And so, as soon as my free copy of Bite Me arrived, I went out and bought the first and second books of the trilogy, Bloodsucking Fiends and You Suck. Needless to say, that is one smart publicist. ;-)

I’ve finally read all three, and I wasn’t wrong to assume I’d want to recommend them. I loved the lot, and thought they actually got stronger as a series over the course of the trilogy. What I appreciated about them is what I love about Moore’s books, in general. On the one hand, they are absolutely unrealistic, urban-fantasy romps starring immortal vampires who trawl the earth turning mortals for fun. And yet, they are also so utterly real, with so much empathy, honesty, and a spirit that even as it exposes the banalities of our human condition also insists on scratching a bit deeper to reveal that which is, if not good, at least courageous and kind. Furthermore, as a woman and as a practitioner of the dreaded Gender Studies–and one who focused on MasculinityStudies, at that–I adore Moore’s depiction of men. Men in UF tend to be either Villains or Heroes. To whom the latter seem to have genuine “issues” added simply to make them extra-needy of their heroines. In other words, the men are either perfectly evil, or perfectly imperfect in a “fix-him up” sort of way.

Moore toes a difficult line with his own male characters. His men aren’t Postmodern sacks of angst and anomie, nor are they caricatures of outdated alpha-male masculinity. You won’t catch them masturbating with the family dinner, a la Portnoy, although I wouldn’t leave your socks laying around; and neither are they twirling broadswords as they contemplate their mortal lover’s Pure and Beautiful Soul that Quenches the Darkness Inside of Overly-Muscled Dark Souled Immortals. Instead Moore’s men seem like something much more difficult to write, I’d imagine . . . men who are decent, and vulnerable. Men who know their limitations and yet aspire to greater things, whether it be to write, or to fall in love, or just to find that elusive really good pizza joint.

They’re the men whom, if we’re lucky enough, we’ve dated. And probably broken up with. And then wondered whatever happened to that nice guy from Hoboken . . .

Moore’s ability to write an interesting, original (if paradoxically familiar) male character definitely shines in this trilogy. C. Thomas Flood is a gem of a Moore hero, not least because Moore writes a man-boy (Tommy is only nineteen) to perfection. But what I really loved about these books was that I was as impressed by Moore’s characterization of Jody, the female lead, as I was by his men. In fact, Bloodsucking Fiends actually starts from a POV focused on Jody, and Moore does a stellar job capturing the general anxiety of the Cosmo generation. Without giving away any spoilers, I thought his choices for Jody at the end of the series, in Bite Me, were both brave and insightful. Not least because Moore resists the temptation to depict love as simple, something I admire greatly.

Ultimately, I think what Moore gets about people, and which makes him a rarity, is how hard is life, really. Even for those who appear comfortable, or confident, or simply accepting of circumstances, life is difficult and our chances to grasp at happiness both frightening and fleeting.

He also says, “fucksticks.” A lot. A word that makes me giggle, every time I read it.

Things I Like: A Moaning Boy

One thing I really like is when the cover of Tempest Rising wins awards! And Sharon and Lauren’s team at Orbit just pulled in another huge one. Lauren blogs about it, here.

As for other Things I Like, I gotta say, I like a moaning man. Keep your mind out of the gutters, people. I mean their SINGING, of course!

Here are two of my favorite moaning boy bands . . . The first is a “new” discovery for me, and I have to thank my fabulous roommate and Alpha Reader Dr. James Clawson, for giving my ears a listen to Beirut. Listen to the moans, groans, and sighs coming out of this guy . . .

See what I mean by moaners? But such lovely-jubbly moans, they make the hair on my forearms stand to attention. And here they are again, sporting not only a tiny mandolin but an AMAZING mustache.

The second band is an old fave of mine. They’re big in the UK, although less well known in the States. They are the Guillemots, and I adore them and their moanie, moanie gorgeousness:

Love that song! But here’s my absolute favorite, not least because this video is amazing:

So there are my favorite Molly Moaners. Do you have a favorite band o’ moaners?

Christopher Moore! Christopher Moore! Christophe…*faints*

I’m a little bit in adoration of Christopher Moore, I gotta tell you. We even have a six degrees of separation thing. My beautiful friend Jana, who lives in San Francisco, lived in an apartment underneath him. When I wrote and published TR, she was like, “I think the guy who used to live above me writes those kinda books. He’s nice. Name is Christopher Moore.” Needless to say I nearly had a heart attack, and had I not been living overseas I would have been ringing her doorbell a few hours later.

So I was very excited when a member of his marketing team got in touch with me the other day. Undoubtedly drawn to my site by my repeated use of “heinous fuckery” and “fuckstockings” in my blog post praising The Fool, she offered me not only a copy of Moore’s newest book, Bite Me: A Love Story, for review, but also TWO COPIES TO GIVE AWAY.

To you, my lovely friends and fans.

Here’s the 411 on the book and on Christopher:

BITE ME: A Love Story is an inventive, hysterically funny, sophisticated comic horror novel with flamboyantly original (and endearing) characters, pitch-perfect postmodern dialogue, break-neck pacing, and utterly entertaining vignettes.  BITE ME readers have a lot to sink their teeth into.

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Follow Christopher Moore on Twitterhttp://twitter.com/TheAuthorGuy

For more information about the book, please visithttp://www.harpercollins.com/books/9780061779725/Bite_Me/index.aspx

Browse Inside: http://browseinside.harpercollins.com/index.aspx?isbn13=9780061779725

About Christopher Moore

Christopher Moore is the author of eleven previous novelsPractical Demonkeeping, Coyote Blue, Bloodsucking Fiends, Island of the Sequined Love Nun, The Lust Lizard of Melancholy Cove, Lamb, Fluke, The Stupidest Angel, A Dirty Job, You Suck, and Fool. He lives in San Francisco.

Could I be more excited to read this book? Not if it promised to make out with me. Okay, then I might be a little more excited. I do enjoy a good make out.

I’m afraid that, because they’re shipping the books directly, they have limited the contest to US residents only. So if you live in the US and want to enter, comment below on the following issue:

Who would you most like to see do a guest post or blog at my site, and what would you want them to talk about? And don’t limit yourself to what you think could possibly happen . . . The Emporium is for fantasy, after all. ;-)

The Contest Can will randomly pick two winners next TUESDAY. YAY!

Things I Like: When the Fat Lady Sings!

One thing I like very, very much is opera. That may surprise some of you who think I am entirely uncouth. I actually do have a couth streak . . . I just hide it well. ;-)

Last weekend, here in Shreveport, I went to see one of my very favorite operas, Puccini’s La bohème.  Here’s a snippet, with Pavarotti as Rodolfo, the poet, and Mirella Freni as Mimi, the seamstress:

One of the reasons I love La bohème so much is that it is my father’s favorite opera, and I grew up with La bohème playing somewhere in the background for most of childhood. It’s as familiar to me as a lover and I feel as if I’ve come home when I hear its music.

I also find this opera fascinating. It’s considered typical, overtly entertaining Puccini fare: heavy on the humor and the sex, light on meaning. But I think such dismissals do La bohème an injustice. For, rather than a love story, I’ve always seen this opera as something far darker. I think La bohème suggests that love can only exist in its own absence, that we only want that which we may lose, and that what we call “love” is only a romantically padded way to articulate our desire to possess.

In other words, while the sounds of this opera comfort me on a visceral level (I hear it and, quite literally, I relax), it disturbs me, intellectually. And I think it’s meant to.

On that note, and because I like things that disturb me, my favorite opera of all time is Verdi’s Otello. Othello is my favorite of Shakespeare’s plays as I’m riveted by the cruelty and sadism of Iago. I love the idea of the sort of evil Iago represents, and how easily he manipulates his victims. Verdi’s opera contains all of Iago’s machinations, plus Verdi’s soaring strings, blaring horns, and pounding drums. The music captures the fury of emotion that this story engenders. Here are Renee Fleming and Placido Domingo, as Desdemona and Othello, duking out one of their more brutal confrontations . . . such glorious torture to watch:

If you have a chance, catch an opera.* Don’t watch it as a snob, watch it as you would a movie. Let the music guide your affective response, rather than your brain dictating your reactions. In other words, just let yourself feel the opera, feel the sounds. I promise you’ll find more than you thought possible both in the music and in yourself.

*Attending an opera is also a fantastic excuse for a new dress AND a fascinator. Just sayin’.

Things I Like… My Soundtrack

Thought I’d do another installment of Things I Like, but do something a little different. Normally I try to bring you something I’ve just discovered. Sometimes they’re not new bands (like the Editors), but they’re new to me. Instead, today, I thought I’d bring you two of the bands that basically comprise the majority of My Soundtrack.

They’re two bands that aren’t really things I like . . . they’re things I LOVE. Both have been around forever, but they’re huge influences on me. Pretty much every action scene I write is, in my mind, soundtracked by one of these bands. They’re on every single one of my playlists, so whenever you come over to my house you’ll hear them, off and on, throughout your visit. In other words, they’re my most beloved background noise.

This first band is pretty much always on in my house. It’s what I work out to, work to, and absolutely adore. I love this band because I associate them with my brother (who is a huge fan) and because I went to undergrad in Boston and it is like nostalgia in a lyric. It is, of course, the Dropkick Murphys. Here’s one of my favorite songs:

And this little ditty always gets me going at the gym:

I may also have a wee crush on the guitarist. And the piper. His KNEES are tattooed! Le sigh.

The second band is also from Boston, and they also make me very, very happy. Again, they’ve been around forever and they will often open for the Murphys. Heaven! No doubt you’ve already guessed . . . it’s The Mighty Mighty Bosstones. Here’s one taste . . .

This video is AMAZING. And for your second taste, here’s a song I am slightly obsessed with at the moment:

So here are two of my major musical influences. Not what you expected? Or just what the Doctor ordered? ;-)