Archive for the 'Guest Blogs' Category

Still Off Visiting!

Where have I been, you ask? Well, I’ve been off visiting!

The lovely Jaye Wells and I are still going strong over at Border’s Babel Clash. We’ve talked about all sorts of interesting things involving heroines, humor, and urban fantasy. In my last post, I talked about why I added hedonism to the list, or why I chose to write a female character who’s so unapologetically self-indulgent.

In other news, I want to send out HUGE congrats to one of my fave UF authors, Carolyn Crane, whose sequel Double Cross just received a starred review from Romantic Times. I absolutely adored Mind Games and I can’t wait to read Double Cross. Carolyn’s created a world that’s truly unique in UF, and I find her books thrilling to read.

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Check out Carolyn’s books if you haven’t already. The first one was great, and the second looks like it’ll be even better.

All rightie, folks, with that I’m off to write more Jane. I’m at over 25.000 words on Eye of the Tempest and it’s going great.

I’m leaving you with this video about Newport, in Wales, that Dr. Ruth showed me and that I find endlessly entertaining. Ohhhhh how I love a Welsh accent.

See y’all back at the Emporium, soon. ;-)

Guest Blogger! Paul Jessup! Git yer Paul Jessup here!

Paul Jessup is a guest blogger, going on a small virtual tour of the internet to promote his new book Werewolves. It’s an illustrated book about the journey of one High School teen named Alice, and her voyage into the violent werewolf community. She tries to find a cure, help her brother, and survive violent pack conflicts. You can purchase a copy here. The art is done by Allyson Haller, and it’s published by Chronicle Books. You can view the rest of the blog tour as it chugs along this week at his website, http://pauljessup.com.

Shape Shifters Rule, Blood Suckers Drool.

You you heard my right. It’s the sparkly undead elephant in the room. An elephant with classy names like Edward and Lestat and Christopher Lee (oh come on- he wasn’t acting, right? Nobody can be that awesome and still live), an elephant that mopes in the corner crying over it’s loss of humanity. An elephant that whinges about the daylight, curses about his curse, and basically represents all Victorian stuck up virtues rolled up into a Byronic anti-hero in a neo-emo-goth shell.

Yeah. Vampires. They’re the hot stuff right now, all because of a little series of books. But you know what? Vampires are over-rated. There, I said it. Cat’s out of the bag and all that. I mean, come on. They sleep in the day light. Day light. Which kills them. It’s like falling asleep on a live grenade. Someone just has to pull the pin (or a vampire outside) and BOOM. Yeah, they try to make it more complicated than that (ooh! They sparkle!), but in the end, they’re just a bunch of soulless jerks who probably wouldn’t know what to do with their soul if you handed it back to them on a silver platter.

Shaper shifters, on the other hand, yeah, now that’s what I’m talking about. First off, every culture has their own little flava-flave of humans and animals who can morph back and forth. Kitsune’s in Japan. Selkie’s in the motherland. Werewolves, and Bear Shirts (Berserker, baby, who believed that wearing a shirt from bear skin would turn them into crazed were bears in combat). You take your pick, they’re all there. Every country, every single one, has a tale of a human who can turn into some animal and back.

And they’re all crazy dangerous. No digging up graves, cutting off heads, shoving with holy wafers here (a good way to make sure a blood sucker is nice and dead as dead). No. These are human most of the time, until you least expect it. Then BAM. You’re a goner. Some are just tricksters and pranksters and masters of illusion (Kitsune and Tanuki, there ya go). Others want to settle down and have a human family. While still others want to rip your throat out and tear you apart.

So yeah. I’d much rather read about shape shifters of all sorts and sizes. And the folklore of the world has my back on this. Most of the time when something in another culture is called a vampire, it stretches the word until it breaks apart into tiny little pieces. But shape shifters? There everywhere. Probably even hiding among us right now.

Updates, Updates, and More Updates

Well hello, everybody! Life here at Casa Peeler has been all about ORIENTATION. I had new faculty orientation last week, and this week we had regular orientation. As with all orientations, I’m feeling very disoriented at the moment. Lots of new people, new procedures, new ideas…but it’s all good! Everything will settle in soon.

And speaking of settling, my new apartment is getting there. I’ve got lots of new furniture. Here’s some random pics:

Yay! Eventually, when I can afford them, I’ll buy dining room chairs. Then I’ll be domestic as a plate!

In book news, Eye is coming along nicely. There’s something about me and work: the more I have to do, the more I do do. I’m so anxious about the deadline for Eye that I’m sort of obsessive about working on it. I’m also having a huge amount of fun writing it, and I find that it becomes its own stress relief. I get anxious, I write, and then I feel 100% better about myself and the world. Funny, that!

TR and Tracking have also both come out in the UK, and I’ve got some extra copies of the British TR. I’ll definitely be doing a contest in a few weeks, once things settle down, to give some away. They look stunning! Slightly larger than the ones in the US, with covers that are Sharon’s original art with a sort of Frank Milleresque wash to the color scheme. Love them!

And speaking of contests, for those people to whom I owe prize packs, THEY HAVE BEEN UNEARTHED! Now I just have to make time to go to the post office. ;-) That WILL happen in the next week, come hell or high water. If it doesn’t you can send your people after me. I’ll deserve it.

In very, very exciting news, the lovely Psynde has created a line of jewelry inspired by Jane! I absolutely adore this stuff, and I get to vet all the pieces, so you guys have to check it out! Jane doesn’t wear a lot of jewelry in the books, but if she did, this would be it, for sure. I love this stuff!

Finally, for the next two weeks, things will be pretty quiet over at Dr. Peeler’s Emporium, because I’m squaring off with Jaye Wells at BABEL CLASH. Hopefully no chairs will be involved, although I’m perfectly willing to cut a bitch if that Wells woman gets out of hand.

So see you over at Babel Clash! Until then, I’ll keep the Emporium warm for our return.

Guest Post: Kait Nolan

Without further ado, here’s a guest post by Kait Nolan! Her contact details are at the bottom of the post. Tomorrow I’ll have some fresh pimpage for you!

The Dreaded Valley of the Shadow of the Middle

Writing a book is like taking a journey.  I know, hardly the most original analogy, but go with me here.  You, the intrepid, bright-eyed writer, start out with a buzz of excitement and a steady pace.  You’re leaving behind the familiar and look forward to exploring new lands with excitement.  Then the wave of New Shiny excitement runs out toward the end of the setup and first Act of your novel, and the journey begins to get more difficult.  The carrion eaters are beginning to circle. 

You have now reached the Dreaded Valley of the Shadow of the Middle.  :cue ominous music:

I can’t tell you how many books I’ve had die in this long and lonely place.  Even if I could see the end of the journey and knew how the story should end, I had no idea what the heck happened in the middle to get them there.  :looks around:  Wait.  Is that the skull of that werewolf I abandoned here last year?  :clutches mighty pen tighter:

At the risk of sounding all “go plotters!”, I have to say that largely this was a symptom of the fact that I was a pantser.  So I went through this long process of trying to make the switch, writing out a series of connected scenes until I came out the other side.  But that mired me so deep in the swamp of the And Then’s that the book suffocated from boredom and lack of direction. 

Was I to be defeated by the Dreaded Valley of the Shadow of the Middle AGAIN? 

No, I was not!  Fear not, brave writer, there is a MAP!  You have a guide through the dangerous terrain of the DVSM and it does not involve plotting.  Well, not exactly anyway.  In order to safely traverse the DVSM, you must prepare for the journey.  If you were planning on hiking the Appalachian Trail, you wouldn’t go off without packing the necessary gear, would you?  Neither should you try to push through the DVSM without proper preparation. 

If the idea of needing to know every single step your character is going to take makes you quell and whimper, don’t worry.  You’re not alone.  When you go on a trip with your Google Map directions in hand , you don’t know every inch of your route.  What you do know are the list of major towns you’ll be going through.  Maybe some of the big landmarks you’ll be passing by.  What you DO need are these towns/landmarks/major stopping points by which to orient yourself.  This is the basis of what Larry Brooks calls story structure.  He is my favorite writing guru, and I shall send you forthwith to check out his blog series on story structure (start on this page and work your way chronologically forward) and thence to purchase the ebook (which is totally worth its weight in gold).  [Note: I’m not an affiliate or anything, I just really love his stuff.]

You need to know your First Plot Point.  This is the primary conflict, the thing that imparts meaning to the story arc.  It’s probably where you ran out of gas at the end of the New Shiny setup.  Up to this point, your characters have been just strolling along with their normal lives, then BOOM, something changes everything.  That’s your FPP and what follows it is Act 2.

The Setup: You’re living your peaceful country life. Although you sometimes dream of adventure, you’re very happy.

The First Plot Point: Then, out of nowhere, someone comes along and steals your whatsis, a precious family heirloom, and breaks your poor mother’s heart. You realize that you must venture forth in pursuit of this evil-doer and reclaim your family whatsis.

During Act 2 your hero is a wanderer.  You’ve got three things to go for in this section: 

1) A retreat and a regrouping.   Your FPP just knocked your hero on his butt.  He needs to regroup, to think.  To figure out how to deal with stuff.

You find try to track the thief by means of your paltry magic talent, which was great for finding lost pigs back home, but it backfires, make you weaker than before. Still you’re committed and move forward.

2) A doomed attempt to take action.  Hero tries to do something to solve the conflict.  It doesn’t work (because if it worked you wouldn’t have a story). 

You catch up to the thief only to find that this is no mere thief but a sorcerer, and you barely escape his mojo with your person intact. However, you press onward.
 

3) A reminder of the nature of the antagonistic force.  Straight up, let the bad guys gain some ground.  Show them as worthy opponents who, right now, look like they’re going to win.  (That would be the sorcerer with the bad mojo).

See there?  A LIST of stuff your hero should be trying!  And all of this leads up to your next big stop off: The Midpoint, which is the contextual shift in your story that changes things for the hero and pumps up the conflict and dramatic tension. 

And next thing you know, you come upon the information that your whatsis holds great magic! Your talent passed to you through a long line of sorcerers, but your family has been in hiding, guarding the whatsis. Now that it is in the hands of the enemy, it must be recovered or it means certain DOOM for all good folk everywhere. You must learn to harness your power to get it back. Come on, use that Force.

Well, with the knowledge that deep inside you lives a kick-ass sorcerer, and that the fate of the world hangs in the balance, you sally forth out of the midpoint with a new determination to get that whatsis.

After that comes Act 3 (and just FYI, we’re operating on a 4 act structure here) during which your hero is a warrior.  This is the attack phase.  He’s committed now and during Act 3 he’s going to take proactive action against the antagonistic force as well as combating his inner demons.  But of course the antagonistic force is stepping up its game too, overcoming its weakness in pursuit of its own agenda or quest. 

But now the evil one knows you’re coming. He knows that you know, and he’s not playing around anymore. He’s going to kick your fictional butt. Duck!

All that leads up to your next major stop off: the second plot point (SPP), which is the LAST important piece of the puzzle that the hero needs to become the major catalyst in the story’s resolution.  Or as Larry summarizes, “It’s when the chase scene starts.”   It’s also where the Dreaded Valley of the Shadow of the Middle ENDS.  You’re in Act 4 and on the downhill slope and running toward the finish line.

And now here you are, at the castle complete with skulls and scary birds and what have you. It seems impossible that you will get in, never mind escape with the whatsis. But then, into your hands, yet properly foreshadowed, falls that the key, not only to entry, but to his ultimate undoing. If, of course, you really are brave and true enough for the job.

This is all the stuff of the middle.  If you arm yourself with a rudimentary map, complete with your first plot point, midpoint, and second plot points, with some idea of how the bad guy shows his stuff in both Act 2 and Act 3, you’re going to find that it’s a lot easier to make it through the DVSM.  And please, don’t stop with my abbreviated and paltry summary.  Go check out the full series on story structure.  It just might be the thing that saves those flagging books from certain death in the Dreaded Valley of the Shadow of the Middle.  [Note: Thank you to my awesome crit partner Susan Bischoff for this illustrative five minute summary story.]

*              *              *

For those who are interested, my debut paranormal romance novella, Forsaken By Shadow, is available at Scribd, Smashwords, Amazon, Barnes and Noble, and the iBookstore.  It is the first in the Mirus series.

Banished from their world with his memory wiped, Cade Shepherd doesn’t remember his life as Gage Dempsey, nor the woman he nearly died for. But when Embry Hollister’s father is kidnapped by military scientists, the only one she can turn to is the love from her past. Will Gage remember the Shadow Walker skills he learned from her father? If they survive, will Embry be able to walk away again?

Link to book cover image: http://i53.photobucket.com/albums/g54/southernseanachi/SmashwordsCover.jpg

Kait’s writing blog Shadow and Fang

Kait’s cooking blog Pots and Plots

Kait on Twitter

Kait on Facebook

Kait on MySpace

Kait on Goodreads

Guest Blog: MARIO ACEVEDO

It’s with great pleasure I introduce Mario to the Emporium. He’s fabulous . . . never read an email him with something in your mouth. It will inevitably come out of your nose. He’s hilarious and the books are fantastic–I love me some Felix. Rawr! So here goes . . . Mario Acevedo!

The Writer’s Life, a Cocktail of Friends and Alcohol.

I first met Nicole Peeler at a clothing-optional writer’s workshop.  Afterwards, Nicole told me it was too flaccid.  My work, she meant.

My fifth book is out, which means I’ve been at this writing biz as a professional for four years.  We all expect great things from getting published.  Piles of money for one.  That happens for a few.  Other writers fizzle out right away and disappear.  The rest of us die-hard scribes slog along as mid-list authors, trying our best to survive.

But what I didn’t expect and what surprised me was meeting and becoming friends with my fellow writers, strangers at first.  One popular misconception is that writers are introverted hermits toiling away in an attic or basement.  Once in a while they’re prodded out for book tours and they squint mole-like at the sun before slinking away in search of a drink.

Actually I’ve found writers to be the opposite.  Almost unanimously they’re gregarious and generous.  Most of us realize that our success is a matter of hard work and luck.  There are a few writers–insufferable wretches, the toe fungus of the publishing industry–who act as though they’ve been anointed by a Higher Power to deliver the printed word.  Usually these writers blend in with the normal good people but occasionally they give themselves away.  When they do, we have a special name for them: microphone hogs.  The next time you’re at an author’s panel and there is one writer who slobbers all over the mike and barely acknowledges the other panelists, that person is the insufferable wretch, a.k.a. the microphone hog, a.k.a. the windbag asshole.

Another popular misconception is that writers are backbiting helots.  Again, untrue.  We authors band together in online tribes.  We watch out for one another; if there’s an opportunity we pass along a mention.  If there’s a snake in the grass, we shout a warning.  This doesn’t mean we don’t talk smack about one another.   We do.  As much as possible.  For example, I know things about Nicole that would make a prison warden blush.  And I respect Nicole too much to give details other than to say I have pictures for sale and I accept PayPal.

However, there is one perception about writers that is very true.  We like to drink.  A lot.  My first writers’ conference as a professional was the 2006 Bouchercon in Madison, WI.  Voted the most walkable city in America.  Which means the bars are within stumbling distance.  Because of that experience, I’ve held mystery writers in awe.  My heroes.  Since then I’ve branched out to other genre conferences and while I certainly wouldn’t call fantasy writers lightweights around the bottle, mystery writers remained the grand potentates of partiers.

Until my first Romantic Times conference.  Who would’ve thought these bitchy lushes masquerading as college professors and suburban housewives could’ve hip-checked mystery writers off the barstool of honor?  To be fair, some of these writers were ringers, mystery authors doing double duty.

And my team was the urban fantasy scribblers, appropriately named the League of Reluctant Adults, who guzzled the booze like thirsty mudcats.  These women writers brought to Romantic Times an expertise missing at the other cons.  Erotica.  Porn by and for women.  Add booze.  See what you get.

One memorable bacchanal was the public reading of sex-drenched pages.  Civilians–i.e., non-writers–crept close to soak up the 100 proof filth.  Judging by their sweaty faces and twitchy fingers, we didn’t disappoint.

Which brings us full circle to the queen of sweaty faces and twitchy fingers: Nicole Peeler.  Buy her book.  Support her snark.

Happy fanging.

Mario Acevedo

His latest book, WEREWOLF SMACKDOWN, is on the prowl.  Your best hope for salvation is to buy a copy…or better yet, several.

http://www.marioacevedo.com

And now for the CONTEST! To win a copy of Werewolf Smackdown, answer me the following, in comments:

Felix doesn’t consume his blood the “normal” way for a vampire. Rather, his sanguinary consumption often occurs in the form of enchiladas with a very special red sauce. What do YOU think is a good recipe/type of food to serve as a culinary vehicle for blood? Por ejemplo (see Mario! Spanish!), Blood a la Mode! (I’m wikked bilingual people. Wikkid.) Winners will be pulled from the Contest Can next WEDNESDAY, just in time to announce my NEXT CONTEST.

Cuz I heard Sabina Kane’s in town . . . And she does so enjoy the Emporium . . .

The Weiner! And More Excitement!

Y’all came up with some AWESOME responses to the last contest question: What would REALLY win out, brain or brawn? Most of you seem to have gone for brain. And while I hope this is true, I still have this vision of me being like, “I will think my way out of this nightmare!”–right up until someone pops me in the nose and I’m down for the count.

But I think one idea shone through that is absolutely relevant and true, and that’s the idea that we want our heroes/heroines to have brains, because otherwise their books would be pants. Por ejemplo, snark unmitigated by intelligence isn’t snark . . . it’s just being a bitch.

So yay! Fun responses that I really enjoyed reading, which means its with great pleasure that I reach my greasy little paw into . . . the CONTEST CAN!

And the weiner is . . . . . the very last commenter, SARAH! Way to pip the others at the post! Congrats!

Email me at iheartselkies(at)gmail(daht)com with your address and I’ll have Carolyn Crane’s Mind Games expedited to you.

And in very fun news, the fabulous Mario Acevedo is going to be guest blogging here, tomorrow. The post is hilarious, although everything he says about me are LIES! Terrible LIES!

Alongside of Mario’s blog I’ll be running a contest to win his newest book, Werewolf Smackdown. I couldn’t be more excited. Could you? ;-)

Guest Blog: Mythology 101 with Philip Palmer

Myths about Myth

by Philip Palmer

There are myths, I would argue, and myths.

The story of Osiris is a myth  of the first kind: this Egyptian deity was murdered by his jealous rival Set, and his body was cut into fourteen parts and scattered around the land.  Osiris’s lover Isis then recovered thirteen of the fourteen parts – but, to her chargin, failed to find the penis.  So she then made a gold phallus, brought him back to life and, er, that’s how babies are born.

(Just take a moment and read that over again; isn’t it gross?)

It’s also, however, to return to my argument, a common myth that all Welshmen can sing. I am Welsh, and I am entirely tone-deaf; so I can categorically state this is not so.

So ‘myth’ can mean a legend; or it can mean a falsehood.  The same word doubles for both meanings, and the meanings messily overlap.

Ancient myths and legends and fairytales are of course grist to the mill for the fantasy and urban fantasy writer.  Tolkien borrowed freely from Norse legends in creating his ‘mythic’ epic about those wretched rings. And the ancient legends (aka myths) about vampires, werewolves, fairies, selkies (that’s you Nicole!) and other supernatural beings are so deliciously evocative and evil,  what’s not to love about them?

Odin, Beowulf, Jesus, John the Baptist, Osiris, Horus, Hercules, Poseidon, the World Navel, Shiva, Kali, Kama Mara, Sinbad, Prince Five-Weapons, and Indiana Jones – there are just some of the amazing beings and things who have been made up by gifted storytellers in order to create amazing, and fictional, stories.

At least, that’s what I believe.  If you’re a Christian however, you might believe that all the other deities – like Thor, god of Thunder, whose alter ego was, of course, New York doctor Don Blake – are made up, but that Jesus is real.

If you’re a Hindu, you may believe in the reality of the Hindu pantheon.

If you’re a huge Steven Spielberg fan, you may believe that Indiana Jones is a real person, out there somehow; and if that’s what you believe, it’s cool with me.

But this brings me to my main point: there is a sneaky,  lurky, and surprisingly common myth about myth.  It’s this:

Whether we listen with aloof amusement to the dreamlike mumbo jumbo of some red-eyed witch doctor of the Congo, or read with cultivated rapture thin translations from the sonnets of the mystic Lao-Tse: now and again crack the hard shell of an argument of Aquinas, or catch suddenly the shining meaning of a bizarre Eskimo fairy tale: it will always be the one shape-shifting yet marvellously constant story that we find, together with a challengingly persistent suggestion of more remaining to be experienced than will ever be known or told.

These are the opening words of one of the greatest books ever written about myth – Joseph Campbell’s The Hero With a Thousand Faces.

In his book, Campbell assembles accounts of myths and folk tales from all around the world – Norse legends, American Indian myths, Inuit folk tales, and stories from the great religions.  And he writes about them as if they are all aspects of one great underlying myth, the ‘monomyth’ (a word borrowed from James Joyce.) He also quotes freely from Carl Jung, who believed that the archtypes of myth are products of mankind’s Collective Unconscious.

It’s all exhilarating stuff, and every fantasy and SF writer has or should read Campbell’s book at one point.  These are what I call stories. They are potent, resonant, imaginatively supercharged tales of magic and wonder and heroes vanquishing and heroes defeated and wicked witches and ogres and much much more.

But this is when the science fiction writer in me creeps to the surface. I adore Campbell’s book and the way he writes; but what exactly does he mean by ‘monomyth’?

Is there really a one-underlying-myth, an actual connection between all the legends of all the peoples of makind?  Does Jung’s Collective Unconscious actually exist, in some spooky but utterly real way? Or is it just a metaphor?

Who cares? I hear you cry.

Geeks care, is my reply.

Because geeks – obsessive science-fictiony type people who, um, write science fiction,  such as moi, like to get these things straight.

In science – okay, okay,  this is really geeky – * embarrassed smile  * – a theory or hypothesis has to be ‘falsifiable’.  In other words, if it’s possible for you to prove a theory is wrong,  then you’re entitled to believe it may  be right.

The opposite of a falsifiable theory is something like astrology – where the predictions are so vague and ambiguous you can’t ever prove it’s wrong.  Which makes it a faith; not science.

So is the idea of the monomyth falsifiable? I would say not. It’s a lovely idea – a haunting concept – but it’s just an idea.

So – in the absence of evidence to the contrary – I believe that myths and legends from disparate cultures are similar because they all attempting to describe the essential facts of all human life: birth, sex, death, the power of the sun, the need for harvests not to fail, etc etc etc.

And therefore, for me the monomyth is a ‘myth’ of the beautifully singing Welshman variety; it’s a sweet smelling flower, but it’s not true. And yet, it’s a dogged concept that lies deep in our culture, and is believed or half-believed by a startlingly large number of people.

Here’s another myth: it’s one I call the Mayan Myth.  It’s based on a once commonly held view about the ancient Mayans who lived in the Yucatan Penninsula of Mexico, and whose civilisation collapsed around 900 AD.  Early twentieth century archaeologists wrote with wonder about a Mayan society led by gentle priest-leaders, whose people lived a tranquil uncrowded rural life, and who had no interest in or knowledge of the arts of war, and who spent their days building vast temples and honouring their gods.

The Mayans were, according to these awe-struck observers, a peaceful, kind and gentle civilisation who were in harmony with each other and at one with nature.

It’s a lovely concept; but it’s nonsense!  It’s a myth – a delusion -  put about by soft-headed archaeologists in love with their own half-baked fantasies.

However, as time went by, archeologists of the kind who actually believe in evidence learned that the Mayans were in fact a culture dominated by arrogant kings, with an astonishingly large population (more densely populated than China) and possessed of sophisticated farming techniques.

They were also savage brutes (by my moral standards) who practised ritual human sacrifice, as well as being bloodthirsty warriors who enjoyed torturing their prisoners.

The trouble was, those twentieth century archeologists wanted to believe that the Mayans were gentler, nobler, and wiser than the stressed, irritable, competitive  peoples of their own world.

The Mayan Myth is a version of the Golden Age myth – the idea that there was, once, a better, less spiritually shallow  time; a time when people were gallant and noble, and there was no such thing as  the rat-race, stress, and road rage.

I don’t think such a time ever existed.   Farmers in the olden days had to work their butts off  ploughing fields and cultivating crops and whatever other boring things farmers do, and I’m sure they were just as stressed, and spiritually shallow, as we are.  (Indeed, I have no doubt that ‘field rage’ was a common phenomenon. ) It was all in all a tough old life, in  the world before supermarkets, vacuum cleaners, and washing machines.

The Golden Age myth in its various permutations is of course a staple ingredient in much fantasy writing – and I love it in context, in the service of a great story.  I just don’t think it’s true.

You see a large dash of the same myth in Avatar, where the blue-skinned alien Na’Vi are shown to be peace-loving and at one with nature; when they kill an animal for food, they tell the dying creature ‘I see you,’ to honour its spirit.

Oh per-lease!  That’s just so sentimental, even I can’t stomach it.  (And I have an amazingly high threshold for sentimental nonsense…)

As storytellers, of course, working in the imaginative fiction field, we depend utterly on myths, legends, and lies.  So ideas like the monomyth and the Mayan Myth are great as a source of inspiration, and of stories, and indeed of spirutal solace.  I’m just saying – don’t believe all you’re told about the actual underlying ‘truth’ of myth.

And, indeed, I’d go a step further, and argue my own strongly held (though, I concede,  unfalsifable) opinion on this matter.   Namely, that the great myths and legends of the world were all created, ultimately, by master storytellers who revelled in the telling of tall tales, and who quite consciously and brilliantly crafted the common superstitions of their tribes into great works of deceitful untrue art.