Archive for the 'Cover Love' Category

More Pimpage! Updates! And a London Signing!

Hello darlings,

Things have been glorious here in the UK. I’ve spent loads of time with friends since I got in, and it’s been so nice! Last week found me doing lots of catching up with people, and it’s been lovely to have a chance to do so. Tonight I’m going to my friend Linda’s in Notting Hill, where we’ll hang out till our friend Judith arrives from Belgium. Tomorrow we’re throwing our friend Kristin a baby shower, which is not at all a British thing, so everyone’s quite excited.

I’ve finally gotten some work done on my rough draft, and I’m super inspired for Other Projects from being back here. Jane’s series is wrapping up with book six, but I’ve got loads of other things on various burners, simmering away. Meanwhile, in very exciting news, Orbit UK has relaunched my series with an entirely new look. These covers are totally different from Sharon’s, and I love both looks. Both are so quirky, which I think is great for the series. Here’s the UK cover for Tempest Rising:

And Tracking the Tempest:

And Tempest’s Legacy:

And, finally, Eye of the Tempest:

Release dates for these are as follows:

Tempest Rising and Tracking: Both out August 4, 2011

Tempest’s Legacy: September 1, 2011

Eye of the Tempest: October 7, 2011

Tempest’s Fury: July 5, 2012

So for those of you who have been so patiently waiting for book 3, it will be out soon, with book four shortly thereafter!

In other exciting news, I will be doing a London appearance. It’s gonna be a big event that should be loads of fun, and will include other authors. I’ll let you know as soon as I’ve got official word of everything that’s going on, so watch this space!

In terms of pimpage, there were a few releases I FORGOT to pimp with the last batch. I am horrified at such a slip up, and my pimp hand burns with shame.

First of all, the ever lovely Dakota Cassidy has just released Burning Down the Spouse, which looks adorable:

Dakota’s offering these very cool trading cars, featuring her adorable mug:

For details on how to get the trading card, email her at dakota(at)dakotacassidy(dot)com.

Finally, last but certainly not least of our awesome Month o’ League Releases, Michelle Rowen has released the smexily-covered Bloodlust:

So go forth and read! I am now off to zumba. Yes, I’m so addicted I’m doing zumba in London. YAY FOR ZUMBA.

On Covers and Authors . . . and a Wiener!

Hi folks!

How are y’all! I thought I’d take this blog post to clarify something that a lot of people have been asking me about. Basically, I’ve been getting a lot of questions about why I “chose” to change the covers of my book. Now, don’t get me wrong: I love that people are curious, I love that they care, and I don’t mind answering this question. I just thought I’d do it here, so everyone can see, in case you were wondering that same thing.

The thing is, unless you’re self-published, authors do not choose their covers. Instead, our publishing houses choose them for us.

I have been really lucky in that my publisher, Orbit Books, has been really nice about asking me my opinion. They’ve worked with me loads, trying to make sure I’m happy. And I absolutely love them for it. But the fact is, they don’t have to do any of that…they’re just a really good company.

Because the only thing authors control are the words inside the book. We don’t choose fonts, we don’t choose headers, we may not even have been able to choose our own titles. Depending on who you publish for and how big your name is, you have more or less control, but most contracts stipulate that an author’s position on these sorts of decisions is that we have the right to be “consulted.” Which means if we absolutely hate something and threaten to poison ourselves in order not to finish a book with that cover, they are free to take on board our opinion. Or not.

So I had nothing to do with the changes made to the covers of my books. Do I like them? Yes. Did I like the original covers? Yes. Do I understand the marketing strategy behind them making the changes, after it was explained to me? Yes.

And that’s what I think is hardest for people outside the business of publishing to understand, and I include myself in that camp. Publishers aren’t just creating the perfect art for a book–they’re creating a product they want to attract people’s attention and make them want to buy it. So choices that might seem arbitrary or weird to me, may actually be a great marketing strategy.

Will the new red panels and the big, bold branding of my name and titles sell millions of copies and rocket me to the top of the New York Times Besteller list? I certainly hope so, although it’s doubtful. But I’m really lucky to have a company that’s investing in me, and trying new things to try to make me as successful as I can be.

That doesn’t mean you have to like the changes, obviously. And if you love them feel free to attribute any and all genius solely to me. ;-) But seriously, I just wanted to let you know how things worked, so you got a better idea of the biz we’re all a part of, as readers and as writers.

So that’s my lecture for the day! Dr. Peeler will now take off her lecturing cap and put on her CONTEST LEIS!

I wish I did have contest leis. That would be awesome.

Who won a copy of any one of Juliet Blackwell’s FABULOUS BOOKS?

The contest can has spoken . . . and the wiener is . . .

LETHEA B!

Yay, Lethea! Pick out any of the books listed here, and email your choice and your address to ihearstselkies(at)gmail(dot)com. Let me know if you have any questions and congratulations!

To everyone else, thanks for playing and I’m sure I’ll have another contest soon. I should also probably start doing some stuff about the book that’s out in about a month, shouldn’t I? Maybe some readings? Hmmmm?

Finally! A Cover for Eye of the Tempest!

Oh, my friends, how I have waited for this day. A number of you have emailed me over the months as various versions of the cover for my fourth book, Eye of the Tempest, have found there way to the surface of the internet. I met most of these emails with silence, ‘m afraid, as I’m a terrible, terrible liar and I’m not supposed to reveal anything about covers until they’ve been officially released by my publishing company.  So I ignored these emails not because I didn’t appreciate people’s enthusiasm about the book, or excitement about seeing what they thought was a new cover, but because I can’t talk about this stuff until it’s official.

But now it’s official! Here’s the final version of my beautiful new cover for Eye of the Tempest:

As you can see, Orbit’s made some changes to the general layout, but the artist, Sharon Tancredi, is still rocking out, doing her thang! Wait till you see the back!

What do you think? I hope y’all like it as much as I do.

A Blog Post on my Excitement Over a Dearth of Mermaids, a Book Rec, and a WIENER!

Hello mah lovelies! I’m back in PA, finally, and getting back into the swing of things. It always helps to get back into “author mode” when I discover something cool that’s book related. And luckily for me, Germany’s come through with an awesome cover for book three:

There are NO MERMAIDS! And she’s dark-haired! It’s perfect! Plus I love the translation of the title. So that made me happy!

I never thought I’d be so happy to see a dearth of mermaids. ;-)

The other thing I wanted to tell you about is an author that rocks my casbah. Her name is Sarah Waters. She writes literary fiction, but they’re also rousing good stories. I’ve loved all of her books, but I read her latest, The Little Stranger, on the plane and it was gorgeous.


Waters’ prose has been called “neo-Victorian,” and although this is set post-World War II, the tone is very elegiac, and nostalgic of a more formal, pre-Modernist style of writing. It’s very much like the prose of, say, Henry James or Edith Wharton. This uncanny ability to mimic the style of different writing periods is Waters strong suit, but it’s never a cheap imitation. She really understands these styles: their limitations, their strengths, and how to play with each one in such a way that it’s never parody, but a sublime exploration of how various generations have attempted to communicate their life experiences using our limited, human tools of communication.

The Little Stranger is, primarily, an exploration of the British class system. But it really explores very universal ideas about how we glom on to ideas of things, and how those ideas rule our lives, even if we don’t want them to.

As with many of Waters other stories, this is also very much a ghost story. Like Henry James’s The Turn of the Screw, however, Waters writes ghost stories in which it’s  never clear  whether the ghosts are genuinely paranormal or actually psychological. Indeed, I think that most of her books argue that this distinction doesn’t matter. A haunting–no matter what the origins–is about ideas. If you think about it, it’s never “random burst of light” that haunts people in stories, it’s a ghost that’s either related to the hauntee, or that has a terrible story of its own. We’re haunted by the ideas ghosts represent: by the cruelty of mortality, or the loss of a loved one, or the violence we beget upon one another. So hauntings are as much about ideas as they are about incorporeal beings that say “boo,” and so, in some ways, The Little Stranger is about the danger of ideas and ideologies. In this case, it’s the ideologies that built, upheld, and still buoy the British class system. But we all have our own dangerous ideologies that haunt our lives or our societies.

So it’s a great book. It’s not fast–it’s written in the style of a generation that would have been horrified by one of our contemporary thrillers. But the writing is beautiful, and the story is intriguing. I highly recommend all of Waters’ work, and this book is no exception.

Finally, I think I owe you guys a WIENER! The wiener of my contest to win one of Kat’s Greywalker books is LOLITAM! Congrats, LolitaM! Email me at iheartselkies(at)gmail(dot)com, giving me your address and which of the books from this list you’d like.

For the rest of the weekend I’ll be cleaning, laundering, writing, and sweating at the gym or the yoga studio. For the wages of booktour sins must be paid in hard labor! ;-)

Finally, let me know in comments if there’s something you’d like me to talk about. I’ve been so busy with end of school, the tour, and book five I haven’t given much consideration to the blog. But let me know if there’s anything you’ve been hankering for. ;-)

And have a great weekend!

Update . . .

So here I am being all secretive about our RT shenanigans, when Mark Henry has already blown our collective wads. You can see what we’re planning for RT, here.

Can you handle the Snark?

In other news, Tempest Rising won a cover clash over at Embrace the Shadows. Jane won a thorn! Yay!

Just click on the man chest to see the results. :-)

TRACKING THE TEMPEST: Three Months and Counting.

Yes, my friends. Tracking the Tempest releases THREE MONTHS FROM NOW. Can you believe it? July 1, 2010, you can clutch Jane, once again, in your sweaty paws. Don’t worry. She likes it.

Are you excited? I’m excited. SO excited, in fact, that I had to VLOG FOR YOU. Yes, Vlog. I’m trotting out my beautiful fatch and dulcet voice just for you, people. Enjoy it.

Actually, the vlogs might drive you a bit bonkers, because my bangs (AKA my fringe, for you British readers) are taking over. Notice how they’re nicely swept to one side for the first vlog, and then commence to creep until they’re hanging directly in front of my face, making me look cross-eyed.

I have hair with a mind of its own. I’ve learned long ago not to fight it, for it always wins.

So I apologize for the fringe/bangs. I can’t do a thing with them! There’s a cowlick involved. But here you go…here are your Tracking Related Treats for April 1, 2010. There will be more treats, the first of every month, until release day! Yay!

The first vlog is a warm up to the reading, in which I attempt to introduce myself and the books but mostly just babble:

And here’s the actual reading, the second part of the first chapter of Tracking the Tempest:

And, finally, one last Tracking inspired treat: my own, personal soundtrack to Tracking the Tempest. These are the songs that inspired me, while I wrote. There’s a lot of songs about the illusions we weave regarding love and relationships. Not to give away any spoilers, or anything. ;-) Here’s your soundtrack! Fun!

Thanks for coming over, ladies and gentlemen! Hope you enjoyed the readings and don’t forget to enter the contest, from the post below, to win Richelle Mead and Jaye Wells newest releases. And see you back here next month: same selkie time, same selkie channel, for more Tracking the Tempest!

Voila! Cover Art!

Here is Tempest’s Legacy, in all its glory. Enjoy.

You can see all three covers, and Orbit’s take on the series, here. Careful, there are some spoilers in their description. For a spoiler free synopsis, click here.

What do you think?

Charlaine Harris on Tempest Rising

As some of you know, the book that inspired me to write Tempest Rising was Ms. Harris’s fifth book in the Southern Vampire Mystery series, Dead as a Doornail:

This was not the first urban fantasy I’d ever read, although when I was reading the genre that name did not exist. When I was a child, it was simply a weird sort of fantasy being published by Charles de Lint and Mercedes Lackey. Back then, to find Anne Rice, one needed to wander out of Fantasy and over to Horror, where she was shelved with Stephen King. Now Rice and King are both housed in Fiction, and other writers have come along claiming to have single-handedly spawned urban fantasy, ignoring de Lint and Lackey.

Despite my very early reading in the genre, however, I hadn’t read any popular fiction in a very long time. For I’d been doing my Ph.D., and reading  mostly “serious literature.” So after I’d sat my defense, it was almost with a sense of shock that I realized, while wandering around a bookstore with my brother and his children, that I could buy whatever book I wanted. I didn’t have to slog through Philip Roth’s latest ode to his aging penis, or another postmodern experiment by Martin Amis. I could read anything in that store, unapologetically and without feeling guilty for “wasting” time I could be researching.

So I wandered over to Fantasy. Once there, I didn’t even know where to begin. Where once Lackey had a handful of novels, now she had about three shelves. I didn’t even remember which ones I’d read. I also, if I am completely honest, felt a little embarrassed looking at the neon, buxomy elven warriorresses draped over most of the covers.

Then my niece joined me and I did what any self-respecting doctor of English literature does when choosing a book: I asked a five-year-old for help. She pointed to a book at just about her eye level that had an adorable cover. “Buy that,” she said, and I had to acquiesce. The cover looked like folk art, and the young woman being carried by the vaguely Count Chocula-looking vampire was wearing a sparkling green dress.

“So cute,” I said, putting it in my basket. Then we picked out some more “cute” books, till I had enough to get me through my flight back to Edinburgh, where I was living at the time.

Sitting on that flight, reading Dead as a Doornail, I experienced a sensation I’d never felt before. It was one of connection: not just with the character, or the plot, or the genre, but with the tone of the book. For it was the tone of Harris’s novel that made me think, “Wow, I could do this. Not this book, obviously, but a book that feels like this.”

For what I felt while reading Sookie’s story was that it was real. This was a woman like women I knew, reacting in a “normal,” human way to absolutely abnormal circumstances. She wasn’t automatically reaching for a sword, or a glock; she was sweating, and scared, and doing her best not to faint, panic, or (god forbid) get herself killed.

In other words, she wasn’t a hero long familiar with the hero business. And even better, she took herself with a grain of salt.

Jane came to me then, almost fully formed, and dying to tell her story. I was just as surprised as everyone when I wrote her book, and I still can’t believe that book became a real book, sitting in the same section of stores as Misty and de Lint.

It was just over a year and a half ago that I read Dead as a Doornail, and things have moved so fast since then. I’ve had so many amazing experiences related to publishing Tempest Rising, but one of the biggest treats was finally meeting Ms. Harris, at a dinner party in Alpharetta, Georgia, and discovering she’s just as lovely and charming as her books. And yes, I did geek out on her. Realistically, Jane would have come out some way or another, but reading Sookie’s story definitely acted as a catalyst. I owe Ms.  Harris so very much, and that’s what I tried to tell her, awkwardly, over warm-artichoke dip while Mark Henry looked at me like, “If you go all stalker-fan, I’m pretending I don’t know  you.” Charlaine was, however, very gracious about everything, and I got to see her again at a signing in Shreveport, where I slipped her cupcakes. And a copy of my book.

The cupcakes paid off, and it is with an enormous amount of pleasure that I read Ms. Harris’s review of Tempest Rising, on New Year’s Eve, just before midnight.

Happy New Year to me . . . :-)

Cover Love!

I am proud to present the cover for Tracking the Tempest, book 2 in the Jane True Series. Award winning artist Sharon Tancredi really upped the ante with this one:

Peeler_Tracking-Tempest-MM2

I think it’s stunning. What do you think?